:op
 essays from Pontes 00 - national literatures in europe at the end of millennium


|
Igor Rajki |
An Organised Visit To Private Torture Chambers

I was at the end of a comfortable nap, so the contents of my own spirit were still unintelligible; and there was no first sentence with which to recognise and reconstruct it.
There was no other away. I had to to accept ratio, so I snapped out of sleeping. I found myself at the desk in the room, before the computer?s interface, and I instantly felt better. The only thing I could grasp from the nap was the fact that I had dreamt the person of my life. Unclear, but enchanting dream. The only thing I know about her for certain is her profile. She looks like: $.
But to all essay writers, pleasant dreams are of short term.
I stretched: the fog of symbols had to be overcome, to attend to the humdrum: National Literature In Europe At The End Of The Millennium.

I let out a piercing whistle! My allegorical father, reacting to the sound signal, quickly entered the room. With the trained routine of the area with no democratic spirit, narrow-mindedness, quarrels and mutual accusations, he deftly tied me before the computer. He loved to justify the torture of those thinking differently by inherited illusion of his own perfection, while constantly looking for reasons for other?s shortcomings. Looking for fault is the local motto.

Ergo, he stared at me. The signifier in him was imperatively merciless: ?Confess!??flowed from him. Self-torture and breakdown of communication was ready to begin, for the umpteenth time.
I squinted at the force of his look and thought how, once, Austrian author P. Handke called the syntagm ?Central Europe? a metheorological term. That was before the decade of storms, gales and disruptions. It was meant, I suppose, in a supranational sense. But now when the nations have their new maps and new languages, and have multiplied so, through changes almost as fast as those you seee on weather reports, it seems that a closer look at earthly events is required. Staring at the sky without producing prognoses means escaping.
Still, after ?winds of change?, ther?s good news and there?s bad news. Metaphores depend on the climate, and the good news is we can always lok for some new ones.

Father wasn?t satisfied. I know, I squirmed in the chair, such are message recipients with the critique instincts of the area. They want things appropriate for their own vision; they prefer enjoying yearnings than achievements. They have a greater tendency towards pretentions than towards facts. They object because so much irreality asks for entertainers only.
That made him angry. He got crazy and waved his arms around my head. I prepared myself for the next possible blow. I had a hunch about it: insidious, low, carthesianic.
I gritted my teeth with the thought that, since the age of enlightenment, body and mind have been completely separated. This made their survival possible, but at the same time narrowed them down, similar to nations. How can one be patient enough to perceive and distinguish their paradoxes? The example is old and simple: ?it is a sunny Summer noon in Europe!? Take that as a thought and we?ll all feel cheered. But it is deductive, political thinking. It is better to look into details. On a sunny day in Europe, the Mediterraneans withdraw into their houses, leaving the streets, and rest behind closed windows. It?s unbearably hot, hard to breathe, circulation slows down, while, at the same time, in that same Europe, Scandinavians fill their parks and lie down onto still-wet grass to catch the comfortable moments of blessful warmth.
If we have successfully grasped the differentiation example, just like body and nation, we have remained within tradition. The real question is whether it is capable, after allowing closeness, to accept the interweaving of our tastes painlessly?

My father reached for me in a Frankenstein manner. I had no place left to go. I screamed in my mind that tastes are not discussed, adding that the antique thought must have been introduced by someone who understood the essence of hiding the real problem.
The only thing we can discuss is taste. That?s where everything is available. It?s a matter of spirit. Taste is our morals, taste is music, choice or prescription of literature. Taste is the choice of language we will use only to satisfy someone?s taste in communication. Acceptance and refusal are matters of taste, as is the possibility to change one?s name (once a sacred and immutable concept), then the choice of history and of wishes.
It is up to us to find a way to control ourselves, so as to avoid others doing it to us. Although, I feel it more and more, to control is merely a synonim for knowing how to pretend. A matter of refined taste.

Father had had enough. Red in the face, he turned to the computer and reached for the Internet. Provoking through subtle torture methods, without even looking at me.
I grew horrified. I had no alternative but to think that all that is young in ideologies sounds attractive and tempts: early christianity, early taoism, early communicsm, even early internet. But, personally, I?m area-infected, so everything coming from military electronic invention seems suspicious. Besides, I?m subjective towards words, because I trust them doggedly. I am not attracted by notions included in the inter-net. The net includes the notion of capture. I don?t much care for being prey.

It surpasses space and speeds up time, so that categories defined by our bodies cease to matter. Besides, the word globalisation in our language includes the term globa, fine.
A project of togetherness and inter-connectedness, immanent in its conception, has, to my mind, been completed long ago, with no electronics. As I recall, it is called the Bible. And its wordly prothesis today asks for no faith, but necessity.
Father leaned over me powerlessly, still all in the extasy of torture. I blew with contempt. Not easy to break me.
I kept a look full of pride.
Besides, I didn?t want to admit to him that I?m afraid at all, or think that the future of small nations? literature will be reduced to that something, like dialectal prose and poetry, hidden in themselves: an exotic rememberance of the pure sound in which we no longer feel the content invigorating it. And that is the death of spirit. What remains is the body producing it. Still, as comfort, in the beginning of the world mythology, it is written that sound is the breath of the cosmic essence.
I felt utter exhaution and gave a sign to my father to set me free. He did it quickly and adeptly, then promptly fell to his knees and covered his head with his arms in fear. He thought, as always, that I would get even. Unclear conscisences are always frightened of their own methods.
But I was too tired for revenge. I had a hidden agenda: in that way, I left the impression of tolerance. I turned off the computer, gave my father a sign he could withdraw and lowered my head to the desk. Exhausted, I wanted to go back to my worldless dream. There, I hoped, she would still be waiting: $.

The millennial mantra of om will do as a break in thoughts and a gentle introduction into a releasing nap. Anyway, it?s not for no reason that Om, I cheer myself napcatching, is the international unit for electrical resistance.
I give myself over to dreaming. To the yearned-for person of my life.
I?m lucky. I see her at the very beginning of the dream. Although still vague, I get excited; she turns to me; and I face her: (W)!



 essays from Pontes 00 - national literatures in europe at the end of millennium


 | PONTES 99 | 00

............................................

 | RUNNING THROUGH THE CORRIDORS
  essays from Pontes 00 - national literatures in europe at the end of millennium

  ............................................

 | Muharem Bazdulj |
 
National Literatures At The End Of Millennium

 | Milena Benini Getz |
 
Ze Drem Vil Finali Kum Tru!

 | Zvonimir Bulaja |
 
Electronic publishing - opportunities of a new media

 | Roberto Carvelli |
 
Last End Goods

  | Lidija Dimkovska |
 
National Literatures At The End Of The Century

 | Ivan Dodovski |
 National Literatures And Globalisation

 | Bart FM Droog |
 Some Thoughts On Internet, Europe And Literature

 | Wehwalt Koslovsky |
 
Just Another Contemplation...

 | Wilhelm Kuehs |
 
There should be no national literature anymore

 | Bistra Nikiforova |
 
The End Of The "European Cultural Month" Event?

>>> | Igor Rajki |
 
An Organised Visit To Private Torture Chambers